Running is having its biggest cultural moment in decades — run club participation up nearly

60% globally, community displacing competition at the center of the sport. Zappos in Motion

was built for it: a collective of fitness ambassadors and community partners, a dedicated site and social program, and a real presence on the ground — run clubs, shakeout runs, marathon-

weekend activations in New York, Chicago, and Boston. The look runs sharper than the master

brand. Black and yellow at high contrast, the Z slash as a kinetic device, footage that feels like

people rather than production.

Running is having its biggest cultural moment in decades — run club participation up nearly 60% globally, community displacing competition at the center of the sport. Zappos in Motion was built for it: a collective of fitness ambassadors and community partners, a dedicated site and social program, and a real presence on the ground — run clubs, shakeout runs, marathon- weekend activations in New York, Chicago, and Boston. The look runs sharper than the master brand. Black and yellow at high contrast, the Z slash as a kinetic device, footage that feels like

people rather than production.

Running is having its biggest cultural moment in decades — run club participation up nearly

60% globally, community displacing competition at the center of the sport. Zappos in Motion

was built for it: a collective of fitness ambassadors and community partners, a dedicated site and social program, and a real presence on the ground — run clubs, shakeout runs, marathon- weekend activations in New York, Chicago, and Boston. The look runs sharper than the master brand. Black and yellow at high contrast, the Z slash as a kinetic device, footage that feels like people rather than production.

Running is having its biggest cultural moment in decades — run club participation up nearly 60% globally, community displacing competition at the center of the sport. Zappos in Motion was built for it: a collective of fitness ambassadors and community partners, a dedicated site and social program, and a real presence on the ground — run clubs, shakeout runs, marathon- weekend activations in New York, Chicago, and Boston. The look runs sharper than the master brand. Black and yellow at high contrast, the Z slash as a kinetic device, footage that feels like

people rather than production.

STUDIO RAY FERRARO

ROLE


Creative Direction, Photo Art Direction, Content Creation/Photographer, Design Direction

ROLE


Creative Direction, Photo Art Direction, Content Creation/Photographer, Design Direction

ROLE


Creative Direction, Photo Art Direction, Content Creation/Photographer, Design Direction

ROLE


Creative Direction, Photo Art Direction, Content Creation/Photographer, Design Direction

KEY COLLABORATORS


Karina Holtz (Creative Direction, Art Direction)
Loni Andreen (Zappos CCO)

Kate Cullen (Art and Styling Direction)
Grace Sanfilippo, Haley Byun (Styling)

Paolo Guerrero, Esmee Lim (Art Direction & Design)
Dak Stiga (Motion Grpahics/Editing)
Jean Candido (Editorial Direction)
Steele Haney, Sydney Kaplan, Emma Steinbergs (Copywriting)

Dave Hashim, Joey Newell, SDLN Creative (Photography/Film)
Sean Morrissey (Marketing Head)

Brooke Edgar, Kelly Gallagher (Social Media)
Allison Bouis, Patrick Jones (Activation Team)



KEY COLLABORATORS


Karina Holtz (Creative Direction, Art Direction)
Loni Andreen (Zappos CCO)

Kate Cullen (Art and Styling Direction)
Grace Sanfilippo, Haley Byun (Styling)

Paolo Guerrero, Esmee Lim (Art Direction & Design)
Dak Stiga (Motion Grpahics/Editing)
Jean Candido (Editorial Direction)
Steele Haney, Sydney Kaplan, Emma Steinbergs (Copywriting)

Dave Hashim, Joey Newell, SDLN Creative (Photography/Film)
Sean Morrissey (Marketing Head)

Brooke Edgar, Kelly Gallagher (Social Media)
Allison Bouis, Patrick Jones (Activation Team)






KEY COLLABORATORS


Karina Holtz (Creative Direction, Art Direction)
Loni Andreen (Zappos CCO)

Kate Cullen (Art and Styling Direction)
Grace Sanfilippo, Haley Byun (Styling)

Paolo Guerrero, Esmee Lim (Art Direction & Design)
Dak Stiga (Motion Grpahics/Editing)
Jean Candido (Editorial Direction)
Steele Haney, Sydney Kaplan, Emma Steinbergs (Copywriting)

Dave Hashim, Joey Newell, SDLN Creative (Photography/Film)
Sean Morrissey (Marketing Head)

Brooke Edgar, Kelly Gallagher (Social Media)
Allison Bouis, Patrick Jones (Activations)





KEY COLLABORATORS


Karina Holtz (Creative Direction, Art Direction)
Loni Andreen (Zappos CCO)

Kate Cullen (Art and Styling Direction)
Grace Sanfilippo, Haley Byun (Styling)

Paolo Guerrero, Esmee Lim (Art Direction & Design)
Dak Stiga (Motion Grpahics/Editing)
Jean Candido (Editorial Direction)
Steele Haney, Sydney Kaplan, Emma Steinbergs (Copywriting)

Dave Hashim, Joey Newell, SDLN Creative (Photography/Film)
Sean Morrissey (Marketing Head)

Brooke Edgar, Kelly Gallagher (Social Media)
Allison Bouis, Patrick Jones (Activation Team)





Case Studies

Case Studies

Case Studies

Case Studies

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